Kate Nessler
Phalaenopsis Equestris, 1995
Watercolour on paper
12.5 x 13.25ins (31.8 x 33.7cm)
Copyright The Artist
£ 4,000.00
Further images
Kate Nessler is an American botanical artist based in Arkansas, internationally recognised for her accomplished watercolours on vellum and paper. Trained at the Kendall School of Design in Michigan, Nessler...
Kate Nessler is an American botanical artist based in Arkansas, internationally recognised for her accomplished watercolours on vellum and paper. Trained at the Kendall School of Design in Michigan, Nessler has received numerous awards, including three Gold Medals from the Royal Horticultural Society and the Award of Excellence from the American Society of Botanical Artists. Her work is represented in major international collections, among them the Highgrove Florilegium, the Shirley Sherwood Collection at Kew, the Royal Horticultural Society, the National Museum of Women in the Arts, Washington, DC, and the Hunt Institute for Botanical Documentation, Pittsburgh.
The two orchid studies presented here demonstrate the range and precision of Nessler’s botanical practice. In Brassia verrucosa × Brassia caudata, the artist renders the plant in its entirety, granting equal attention to flower, foliage, and root system. The sweeping arc of the stem and the delicately articulated blossoms are balanced by the dense, grounded structure below, emphasising the orchid’s physical complexity and vitality. In contrast, Phalaenopsis equestris adopts a more classical mode of botanical portraiture, its centred composition and restrained scale foregrounding the plant’s elegant form and subtle tonal variation. Together, the works reveal Nessler’s ability to balance scientific clarity with a quiet poetic sensibility, presenting plants not as static specimens but as living forms shaped by growth, fragility, and time.
The two orchid studies presented here demonstrate the range and precision of Nessler’s botanical practice. In Brassia verrucosa × Brassia caudata, the artist renders the plant in its entirety, granting equal attention to flower, foliage, and root system. The sweeping arc of the stem and the delicately articulated blossoms are balanced by the dense, grounded structure below, emphasising the orchid’s physical complexity and vitality. In contrast, Phalaenopsis equestris adopts a more classical mode of botanical portraiture, its centred composition and restrained scale foregrounding the plant’s elegant form and subtle tonal variation. Together, the works reveal Nessler’s ability to balance scientific clarity with a quiet poetic sensibility, presenting plants not as static specimens but as living forms shaped by growth, fragility, and time.
Provenance
James Huntington Whiteley Fine Art22
of
22