Paul Osborne Jones
Study of snowdrops
Signed 'Paul Jones' (lower right)
Gouache
14.17 x 10.63ins (36 x 27cm) (artwork size)
15.12 x 11.42ins (38.4 x 29cm) (framed size)
15.12 x 11.42ins (38.4 x 29cm) (framed size)
Copyright The Artist
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Paul Osborne Jones was an Australian painter renowned for his highly accomplished botanical studies. Born in Bondi, Sydney, he trained at the East Sydney Technical College and the Julian Ashton...
Paul Osborne Jones was an Australian painter renowned for his highly accomplished botanical studies. Born in Bondi, Sydney, he trained at the East Sydney Technical College and the Julian Ashton Art School before working briefly as a commercial artist. His artistic career was interrupted by military service during the Second World War, including time spent in New Guinea, an experience that later informed his sensitivity to plant form and structure.
Jones’s professional breakthrough came when a floral still life he exhibited with the Society of Artists attracted the attention of Professor E. G. Waterhouse, a leading authority on camellias. Invited to illustrate Waterhouse’s publications, Jones established a distinguished reputation as a botanical artist, celebrated for his precision, clarity, and trompe-l’œil refinement. He specialised particularly in camellias and magnolias, subjects that became central to his mature work.
His achievements were formally recognised in 1971 with the award of an OBE, the same year his landmark publication Flora Superba appeared, followed by Flora Magnifica in 1976. His work is represented in major Australian public collections, including state galleries in Sydney, Brisbane, and Melbourne and in England the Shirley Sherwood Collection at Kew.
Jones’s professional breakthrough came when a floral still life he exhibited with the Society of Artists attracted the attention of Professor E. G. Waterhouse, a leading authority on camellias. Invited to illustrate Waterhouse’s publications, Jones established a distinguished reputation as a botanical artist, celebrated for his precision, clarity, and trompe-l’œil refinement. He specialised particularly in camellias and magnolias, subjects that became central to his mature work.
His achievements were formally recognised in 1971 with the award of an OBE, the same year his landmark publication Flora Superba appeared, followed by Flora Magnifica in 1976. His work is represented in major Australian public collections, including state galleries in Sydney, Brisbane, and Melbourne and in England the Shirley Sherwood Collection at Kew.
