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The Collection IV
18 March - 2 May 2026

The Collection IV

Forthcoming exhibition
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Open a larger version of the following image in a popup: Brigid Edwards, Mrs. Kaufmann's Tulip, 1996
Open a larger version of the following image in a popup: Brigid Edwards, Mrs. Kaufmann's Tulip, 1996
Open a larger version of the following image in a popup: Brigid Edwards, Mrs. Kaufmann's Tulip, 1996

Brigid Edwards

Mrs. Kaufmann's Tulip, 1996
Watercolour over pencil on vellum
20 x 14ins (50.8 x 35.6cm) (artwork size)
63x47.5cm (framed size)
Copyright The Artist
£ 9,500 + ARR (4%)
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Further images

  • (View a larger image of thumbnail 1 ) SCOTTIE WILSON (1891-1972), Birds in a Tree, c.1950
  • (View a larger image of thumbnail 2 ) SCOTTIE WILSON (1891-1972), Birds in a Tree, c.1950
  • (View a larger image of thumbnail 3 ) SCOTTIE WILSON (1891-1972), Birds in a Tree, c.1950
Brigid Edwards is a British botanical artist known for her highly refined works in pencil and watercolour on vellum. Born in London, she trained in Illustration and Graphic Design at...
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Brigid Edwards is a British botanical artist known for her highly refined works in pencil and watercolour on vellum. Born in London, she trained in Illustration and Graphic Design at the Central School of Art before working in television as a producer and director. Over the past three decades she has devoted herself to botanical art, drawing inspiration from historical masters such as Franz and Ferdinand Bauer and Georg Ehret. Her work is held in significant collections including the Hunt Institute and the Royal Botanic Gardens, Kew, as well as numerous private collections, including The Shirley Sherwood Collection at Kew.

This painting presents a single tulip isolated against a plain background, allowing full attention to rest on the structure, colour, and character of the flower. Executed with great delicacy and precision, the work demonstrates close observation and technical control, particularly in the subtle modelling of the petals and the nuanced tonal shifts in the leaves and stem. The composition conveys both clarity and quiet intensity, celebrating the natural elegance of the plant while reflecting the traditions of classical botanical illustration.
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Provenance

With Thomas Gibson Fine Art,  London
With Beadleston Gallery, New York
The Estate of the late David Cornwell, best known as the author John le Carre 

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